This year marks Kada’s 13th year of partnership with the Interior Awards, having come on board from the start as a founding sponsor. We talk to Kada’s Digital Marketing Lead, Arabella Nelson, about a new ‘smart’ office furniture range, and how the Interior Awards inspires the team at Kada every year.
Tell us about any recent innovations in your business that you would like interior designers and architects to know about.
Arabella Nelson (AN): We’re excited to introduce the new wave of Framery acoustic smart pods, representing a leading-edge advancement in workspace solutions. These innovative pods not only revolutionise the way we work but also align with our commitment to sustainability. With a focus on reducing environmental impact, the Steelcase Series 1 Carbon Neutral task chair also epitomises our unwavering dedication to eco-conscious practices, setting a remarkable precedent as the first carbon-neutral product available at Kada.
What do you most enjoy about being involved with the Interior Awards?
AN:This year, we proudly celebrate our 13th year of collaboration with the Interior Awards. As one of the founding sponsors, we’ve been with the programme since its inception, and we’re delighted to continue our support. Being involved with this organisation allows us to immerse ourselves in the cutting-edge architecture and interior design showcased within the vibrant New Zealand community. Witnessing the remarkable talent and innovation from industry professionals never fails to inspire us.
What are you looking forward to this year?
AN: We eagerly anticipate the introduction of the new Framery smart pods that will be available and set to grace our showrooms later this year. Leaving traditional office meeting rooms and earlier soundproof pods behind, Framery’s innovative new pods deliver greater user benefits, better engineering, sustainable sourcing and manufacturing practices, and new advanced features and functionalities that support modern work.
Furthermore, we’re looking forward to the unveiling of designs and trends that will shape the New Zealand industry in 2024. We have immense gratitude for the invaluable relationships we’ve forged within the industry, and eagerly anticipate collaborating on new projects with our clients and the designs they entail.
On March 22, 2024, an important exhibition titled “Modern Encounters in Architecture: Kathmandu Valley (1945-85)” opened at the Taragaon Next Museum in Boudha, Kathmandu. An eponymous book was also launched on the occasion. The exhibition and the book are the first public outcome of about three years of research done by architects associated with the Kathmandu Institute, a new research centre founded in 2022 to promote “research, learning and debate on contemporary built infrastructure, with a focus on the design and planning of built landscapes.” The institute’s leaders decided that as its first major project, documenting and archiving mid-20th century architecture, primarily of Kathmandu, was important to understand our country’s “initiation towards modernity.”
Importance of the project
In a country accustomed to seeing Malla-era buildings as “authentic” Nepali architecture, what is the importance of this project? The curators of the institute have declared in the book that the “early modern buildings … are landmark buildings built outside of the historic core areas that aimed to reflect the nation’s drive towards modernization.” Since many of these buildings are not yet 100 years old, they do not legally qualify as “heritage.” Unprotected by law and “struggling to survive the pressures of commercialization”, some of these buildings have already been demolished. The institute’s chairperson, architect Biresh Shah, emphasised in an email that the exhibition “should be informative about what was achieved in Nepal in design and building in the early decades of the modern experience.”
Moreover, Shah and his colleagues correctly state that “documenting and archiving building-related documents have not been a strong tradition in Nepal.” Hence, their project fills an important gap in our understanding of modern “utilitarian” architectural forms “such as educational buildings, libraries, hospitals, administrative buildings”, hotels and private
residences.
What have the institute colleagues done thus far? They have searched for old documents, drawings, photos, physical models and related evidence of architectural buildings and structures built mostly in Kathmandu between the early 1940s and the mid-1980s. To do this, they have contacted and interviewed senior architects, their colleagues, and their family members. In the case of documenting the work of foreign architects, Kathmandu Institute researchers have also contacted institutional archives outside of the country and family members of architects who designed buildings in Nepal. When original drawings were not legible, they have “digitally redrawn” the concerned building “for clarity following the original format as much as possible.”
Future work
How might colleagues associated with the Kathmandu Institute and others interested in modern architectural encounters further this work? My suggestions should be treated as coming from an individual who has little understanding of architectural aesthetics. Instead, this is primarily a wish list from a historian of 20th century Nepal and journal editor.
The first possibility would be to further document the work of senior architects who are still practising their trade or have just recently retired. This can be done in the form of extensive oral historical interviews that are video-recorded. The interviews should not only focus on what these architects can recall about their early projects, but also dwell on contemporary documentary practices with reference to available drawings, photos, diaries and other records. Ideally, such interviews would have to be recorded over several sessions, with the interviewers doing additional research on the work of the architect protagonist between interview sessions. For foreign colleagues who are not based in Nepal, this kind of interview can be done via online platforms.
Edited transcripts or excerpts of entire interviews, augmented with diagrams and photos of buildings, can be published in journals. Shah told me that such an interview had already been done with senior architect Shanker Nath Rimal who “has designed many outstanding buildings and structures over a career spanning six decades, such as the Nepal Academy and Shahid Gate.” Such interviews would make great group projects for not only students of architecture but also students doing master degrees in disciplines such as history, sociology and anthropology.
Second, for architects who can no longer be interviewed (either because they have passed away or their memories have faded), looking for recordings or interviews where they might have reflected on any aspect of their architectural practice would be a good start. Digitally archiving available documents associated with their building projects that might be in the possession of their family members or colleagues would be essential. The book mentions that original hand drawings and blueprints of architect Beda Prasad Lohani have been preserved by his son Basant Lohani. The senior Lohani designed Saraswati Sadan in the early 1940s and Ranjana Cinema Hall in the early 1960s. Saraswati Sadan was not only an important academic building within the Tri-Chandra College campus, but it was also the site of many literary-cultural events in the middle decades of 20th century Kathmandu. Ranjana Cinema (already demolished) was an important location for entertainment in the heart of old Kathmandu.
Third, once diagrams and photos of buildings designed by a particular architect are digitally archived, they can be put together with a brief introductory note on the person, and the whole multi-media text can be published in journals as “Notes from the archives.” The purpose of such notes is to draw attention to a specific archival resource with the hope that researchers will use it for bigger research projects in the future.
Fourth, this kind of documenting can be done in collaboration with students and researchers based in various locations. For instance, the building that currently houses the Ministry of Health of the Federal Government of Nepal in Kathmandu was designed by the famous American architect Louis I Kahn in the early 1970s. The documents (“pencil sketches on parchment paper, architectural drawings, models and photographs”) related to this building are apparently well preserved in the Architectural Archives of the University of Pennsylvania (UPenn) in Philadelphia, USA, which provided digital copies of “all available materials” to the institute’s researches. Given that one of the founders of the Kathmandu Institute, Jharna
Joshi, has a master’s degree in historic preservation from UPenn and that there are now scores of Nepalis living and studying in Philadelphia, it should be possible to do future collaborative projects that involve students from UPenn and Nepali universities.
Finally, even as the documentary archive is being augmented gradually, we need further works of interpretation by cultural historians interested in modern architecture and its associated connected histories. For instance, the exhibition book mentions that the American architect Benjamin Polk designed the new Narayanhiti Palace in the 1960s. Bryony Whitmarsh, a British scholar of heritage and museum studies (now at the University of Southampton), has extensively researched the Narayanhiti Palace for her 2018 PhD dissertation. The several articles she has published are good models of interpretive cultural histories of a building. Also, the work of the anthropologist-historian Mark Liechty (another UPenn alum) with respect to the “spatial dynamics of class,” as discussed in his book Suitably Modern (2003), would be relevant to understanding how the new architectural forms of post-Rana Kathmandu were a slice of the emerging dominance of the Nepali middle class.
Go visit the exhibition which runs until April 18.
Fairview Architectural continues to demonstrate its commitment to driving industry innovation with the exciting launch of Australia’s first exterior cladding visualiser.
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The user simply selects any of the five building template images provided in Fairview’s online design gallery. They can browse through the entire range of Fairview cladding products and colours, selecting variants and applying them to the building image.
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Online visualisation advantages
Creativity, precision and accuracy underpin the world of architects, designers and builders. Eliminating the guesswork is crucial to specifier success and client satisfaction. Thanks to Fairview’s online visualiser, the process just became a lot easier.
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In a harmonious blend of nature and technology, Azulik Roth Architecture has unveiled its latest creation—a stunning tech innovation lab nestled deep within the heart of the Mexican jungle.
This awe-inspiring architectural masterpiece seamlessly integrates cutting-edge technology with the lush greenery of its surroundings, offering a unique experience that is both inspiring and sustainable.
Set against the backdrop of the Yucatan Peninsula‘s vibrant landscape, this innovative tech lab represents a harmonious coexistence between man-made marvels and Mother Nature’s bounty. The architects at Azulik Roth have achieved the seemingly impossible by creating a space where advanced technological experimentation thrives, all while maintaining the delicate balance of the ecosystem.
As you venture deeper into this jungle haven, you’ll encounter state-of-the-art laboratories, interactive workspaces, and sustainable materials that are in perfect harmony with the environment. It’s a place where scientists and researchers can harness the power of technology to explore new frontiers while being inspired by the breathtaking beauty that surrounds them.
Azulik Roth Architecture’s dedication to sustainability is evident in every aspect of this tech lab, from its energy-efficient design to its use of recycled and locally sourced materials. The result is a space that not only pushes the boundaries of technological innovation but also serves as a testament to the importance of preserving our planet’s natural wonders.
So, if you’re seeking inspiration in the intersection of technology and nature, make sure to explore Azulik Roth Architecture‘s tech innovation lab hidden deep within the Mexican jungle. It’s a remarkable testament to the limitless possibilities that arise when we strive to coexist harmoniously with our environment.
Explore opportunities for maximum brand exposure. For advertising, contact us.
Interior design trends 2024 are all about cozy luxury where plush, soft, and tactile elements meet deep comfort and enhance the mood.
‘How people want to decorate has recently shifted,’ says design icon Lee Broom. ‘For a start, we’re all craving a better outlook, and part of achieving that is to condition your brain to think more positively, which you can do by surrounding yourself with things that make you feel happy. Cocktail cabinets that move and rotate, furniture that’s geared towards sitting together and being convivial…anything that is a bit playful, glamorous, and dramatic is in.’
If you’re in the process of doing up your home then these trends highlighted by experts are worth taking a look at.
1. The New Pretty
(Image credit: Future/Jake Curtis)
Luscious, tactile textures such as wool and bouclé are added in a considered way to a color palette of buttery neutrals, warm white, chalky pinks and delicate blues toc create a look we’re calling The New Pretty trend. Patterns are abstract and dreamy instead of floral or graphic, while black accents and silver details prevent the look from becoming too saccharine. Seating is oversized – all the better for lying back on – plump and cushioned. You should want to touch everything in a room that is decorated this way, and it should make you feel held, safe, comforted and elevated.
“Coming straight from the world-leading brands in Italy and influencing decor as a whole, it speaks directly to the balletcore trend so perfected by many fashion houses for SS24,” says Livingetc editor in chief Pip Rich. “It just makes me want to glide, and to create a home where there is no friction or hardness, where everything feels, well, pretty. It’s a look that looks after you, in a way, rounding the edges of your soul, too.”
2. Zellige tiles
(Image credit: German Saiz. Studio credit Sierra + Delahiguera.Tiles credit Mosaic Factory)
A big trend for 2024, Zellige tiles continue to charm homeowners and designers alike. These beautiful, hand-crafted beauties add depth and texture to spaces. Be it kitchens with zellige tiles to bathrooms or hallways, these fit into any space and add subdued glamour. Several companies now offer interesting designs, patterns and colors in these tiles, like Zellige tiles from Mosaic Factory.
‘While it is commonly known for its use as on walls, zellige is also a unique and beautiful option for flooring,’ says Jarret Yoshida, a New York Brownstone interior designer. ‘One of the advantages of using zellige for flooring is the vast range of colors and shapes available — stars, hexagons, elongated pentagons — the options are endless. The tiles come in a wide variety of shades, from rich earth tones to bright, bold hues that somehow never become overwhelming. This makes it easy to create a visually striking floor that adds depth and texture to any room that can complement existing furniture and styles; be it contemporary or classic.’
3. Rattan
(Image credit: Weespaces)
Adding a touch of organic charm to earth tone living rooms or bedrooms, rattan lights like the Sand Stable Amalia 1 from Wayfair, emerge as a wonderful decor staple. These add warmth to the room’s setting and the dome shape diffuses a lovely, filtered light.
‘I would say rattan/wicker has been making a big comeback in lighting, especially in kitchens and bedrooms,’ says Cat Dal, founder of Cat Dal Interiors. ‘People are more open to the idea of natural elements in interiors.’
4. Textured walls
(Image credit: Azure Interiors)
Be it limewash paint or other textural finishes, the trend is moving towards spaces that have natural dimension and movement. Gone are the days of flat paints and single tone rooms. Texutred walls are now at the forefront.
‘Textured walls can be a strategic design choice to hide imperfections or irregularities in the wall surface,’ say Rashi Bothra and Ruchi Gehani, founders and interior designers of Azure Interiors. ‘By introducing texture, it can divert attention away from any blemishes or structural limitations, creating a more polished and refined look. The decision to incorporate a textured wall in this space was driven by its potential to enhance aesthetics, add depth and warmth, as well as address practical design considerations, ultimately contributing to a more visually appealing and inviting environment.’
5. Long, sculptural pendants
(Image credit: Nicole Franzen. Studio credit Jessica Gersten Interiors)
When it comes to dining, bedroom, or statement lighting for living rooms, the forms take inspiration from oblong shapes, casting targeted and tantalizing glows. Why this shape, and why now? It’s because they’re playful and polished, and create a striking statement with a curvaceous silhouette.
They also funnel light, creating the ideal glow for how we want to live now – warm and flattering, and sociable. ‘My favorite trend is the use of statement lighting pieces that can be used both as a functional and decorative elements,’ says the interior designer Nina Magon. Lighting trends generally would imply that the era of the big light is over, and that wall and floor lamps are the most important now. But the targeted way this shape creates light means if you have to have a big central light, then it has to be tubularly shaped.
6. Gold-plated ceramics
(Image credit: Azure Interiors)
Designers and makers are warming up minimalist palettes slightly with just a hint of a Midas touch. A functioning lemon squeezer, but make it art? We’ve come a long way from the iconic Philippe Starck Juciy Salif to reach this pretty and perfect hand-painted ceramic offering.
It’s an approach being utilized by Jo Davies and Pinto too, folding perfectly into the minimalism in interior design vibe we all crave so much right now. ‘Minimalist living is not only about having a clean home, it is also about celebrating nature and authenticity,’ says Hélène Pinaud of Heju Studio. ‘So we are not afraid to incorporate artisanal, vintage, and homemade objects and furniture but always in a quiet, neutral palette.’ Just a touch of elevation to the every day, but not enough that it creates any visual noise.
7. Variations in gold
Origami Rockets Wallcovering in Bohemia, WK806/08, Kirkby Design x Eley Kishimoto.
(Image credit: Pierrick Verny. Studio credit Magic Circus Editions)
Shimmering like sunset, this pleasantly warm and flaxen hue is elevating interiors with a touch of pure luxe. This color can be expressed through paints, accessories or even lighting pieces such as the popular Burst Chandelier from ABC Carpet and Home. And, many colors go with gold, meaning this hue can be used for layering, to make an interior feel warm and livable.
‘We’re currently loving more nuanced versions of the gold finishes like darkened brass or light bronzes that tend to be more dynamic,’ says Candace Shure, founder of Shure Design Studio. ‘But as long as the gold or metallic tones in a home compliment the space they’re in by adding some balance and warmth, they belong and still feel timeless.’
‘We have seen a lot of brass over the past 10 years,’ says Shannon. ‘It seems that people are starting to veer more towards silver tones. Stainless and chrome are making a comeback and we’re here for it. Stainless combined with marble or travertine is a minimalistic approach that feels luxurious.’
8. White lamps
642 Visier Lamp by Sergio Asti for Martinelli Luce.
(Image credit: Tom Kurek. Studio credit JT Grupa)
This new lighting trend is all about stripping out color completely, emphasizing on shape instead. ‘We love monochrome spaces,’ says Chelsea Reale of design studio Sissy + Marley. ‘Especially in smaller settings as it gives your eyes the chance to flow through the space without interruption.’
These types of lamps are arguably not just lamps, but a piece of sculpture too. These add the slightest bit of dimension and shape to a room and ensure that the light is always well-filtered and even.
9. Decorative storage boxes
(Image credit: IKEA)
If there’s one big mood happening in design for 2024 it’s about paring back, seeking to live more minimally, and finding ways out interiors can make us feel calm. Minimalism in interior design is all about merging a sleek look with a subdued but inherently luxurious feel.
Step forward the micro-trend for decorative storage boxes — a way to clear the clutter while still having a bit more personality than a clear glass Kilner jar. We’re seeing artisans, designers and our favorite brands create them. From the lacquered wood Trove Box from Net-A-Porter to foldable fabric storage from Walmart, there are plenty of pieces to choose from that match your taste.
‘We’ve noticed a huge demand for these in our projects,’ says Candace Shure of Shure Design Studio. ‘Mostly for organizing files in home offices, for corralling children’s items, for cosmetics, and even just for styling purposes around the house. The truth is that we all have stuff we don’t want to see all the time, but can’t practicably get rid of; enter the ubiquitous decorative storage box! From smaller stash boxes made of stone on our shelves to larger filing boxes wrapped in linen or leather in our home offices, we all need beautiful storage solutions that help eliminate clutter, keep our items organized, and become another way to showcase our style.’
‘It feels like most people have started to make the connection that less clutter equals less stress,’ says Shannon Niehenke, founder of Narrative Design Studio. ‘I think that people have also started to realize that there are other options out there besides your standard woven basket storage. They can be metal, recycled plastic, or even cork. We like mixing and matching and integrating storage into the decor, so you don’t see one uniform basket all over the house.’
10. Curvaceous cabinetry
(Image credit: Space Factory)
More storage, and this time in a much bigger way. And it’s going seriously sexy as tidying up never looked so good. The other side of the same coin as those decorative storage boxes these cabinets are more evidence of the quest to just put everything away and live in an uncluttered space.
Of course, not all storage is to hide your stuff in, and these wet bar cabinets are a way to get the party started. ‘Organic shapes are just very inviting,’ says designer Bryan O’Sullivan, who regularly uses curves in his schemes. Here, the 88 Secrets Bar Cabinet by Scarlet Splendour brings glamor with its nod to Italian design aesthetics paired with opulent rose metal details and a sumptuous palette. Handcrafted in Kolkata, this will elevate your entertaining game, providing a space from which to prepare and serve drinks to guests. Customizable finishes are available so you can create a truly individual piece.
11. Social seating
A living room with curved sofa and two armchairs
(Image credit: Natalia Miyar)
Furniture designers have spotted the opportunity to bring people back together again, and this new era in furniture design sees a selection of seating options that are all about encouraging the art of in-person conversation.
A curvaceous, contemporary, and modern sofa offers two people the opportunity to sit separately, but with the feeling they are still next to each other. ‘The shape of a curved sofa is softer and less formal,’ explains the French designer Julien Villenueve. ‘It creates an enveloping environment where all the family can sit together.’
12. Minimaluxe
(Image credit: Future/Matthew Williamson)
A pared-back palette that allows the showcasing of your favorite things, minimaluxe is set to take over the design world. It’s characterized by soft textures, shapes, and colors, and a sense of airiness and light.
Of his apartment in New York, above, stylist Colin King says ‘the window is deliberately left unadorned so the space doesn’t look too ‘decorated.’ And that desire for simplicity coupled with a space you want to curl up in with your most treasured objects is what minimaluxe is all about.
‘It seems that people are leaning towards cooler tones, rather than the warmer neutral tones that have been dominant for so long,’ says Shannon. ‘A lot of people are paring it back to what’s essential, and seeking out the chic design elements found in high-tech minimalism of the 90s.’
13. Decorative wall lights
(Image credit: Kelly Wearstler)
Superstar designer Tom Dixon recently told Livingetc about the importance of ‘light washing’– using bulbs cleverly to cover your walls in the light rather than just beaming down on them from on high. ‘Careful positioning of wall lighting is very important to create the right atmosphere,’ says Katie McCrum, the interior designer behind London-based McCrum Studio.
And it isn’t a coincidence that wall lights are becoming ever more sculptural, scene-stealing, sensational, and stellar. Be it kitchen wall lighting or bathrooms, these pieces, like the Corbett lighting from Saks Fifth Avenue are now stars in their own right, just hanging a little lower than you might expect.
14. Contemporary curtain trims
(Image credit: Samuel & Sons)
It’s happening – we’re adopting curtain trims at Livingetc. Previously having been discounted as too trad, this new design staple has changed all that with its super-contemporary approach to tassels, adornments, and finishing touches. ‘I’m drawn to handcrafted details – whether it be an embroidered pattern, hand-quilted panels, or even a scalloped leading edge on the drapes,’ says designer Julia King of Studio Roene.
As a curtain trend, this one has definite staying power, converting a regular, ordinary-looking piece into one that has dimension and style.
15. Hideaway home offices
(Image credit: Another Country)
A small home office is all about smart WFH stations that can be disguised. To the unassuming eye, they’ll look like a drinks cabinet, a writing bureau, or perhaps an armoire. But what they hide is all your work stresses and strains and papers and bits.
‘For most of our clients, this involves utilizing a spare bedroom as their home office that can still act as a guest room when needed,’ says Candance. ‘For others, we’ve helped them by adding ADU’s or converting their garages into separate spaces for working. And for our clients who are tighter on space, we’ve helped them designate an area in the home that makes use of a clever piece of furniture that serves multiple purposes. Anyone can create a hideaway office by rethinking their existing furniture pieces or choosing items that can do double duty. A small desk becomes a larger nightstand in a guest room, or a c-table that’s big enough for a laptop can tuck up next to a chair or sofa for working hours and then moonlight as a sleek side table when the work day is done.’
16. Alfresco bathing
(Image credit: Inclined Studio. Studio credit VPA Architects)
Ever since Gwyneth Paltrow debuted her home spa to the world, designers have been thinking of new ways to fold this feeling into the decor. The materials, the textures, the steam rooms…and now, the return of the outdoor shower and bathtubs has become a part of bathroom trends.
‘For a raw feel in the outdoors, consider materials such as blackened steel with a patina or rustic, live-edge wood,’ says Victoria Holly, principal, and founder of Victoria Holly Interiors. ‘These materials provide an unexpected take on more traditional materials such as metal or wood. I also like to bring in larger format tiles with a concrete look or even faux concrete waterproof plastering to the outdoors. We love to incorporate faux concrete for a built-in tub surround or on countertops, and also like to add in exposed copper pipes or black iron fixtures.’
17. Luxe outdoor lighting
(Image credit: Jess Isaac. Design: Jessie Lane Interiors)
As we all want to spend more and more time in our outdoor living room or dining room, it’s no wonder the trend for luxe lighting has come outside with us. Eye-catching pieces are the need of the house. ‘Outdoor lighting prevents our outside spaces from seeming like dark black holes when viewed from inside the house,’ says garden designer Kate Gould.
‘Sculptural lights are a big trend,’ says Scott Richler, founder of Gabriel Scott.’A completely customizable sculptural lighting statement made from an innovative material which is also durable for the outdoors is the need for most homeowners.’
‘Fantastic chargeable options, means style is no longer sacrificed for function, so you can have gorgeous table lamps on your alfresco dining table, with all manner of different types of fairy/bulb lights and solar-powered uplighters for your plants,’ says Cat. ‘Good garden lighting is not just for the moments you are outside, but it makes an enormous difference if you are inside looking out, as suddenly your garden becomes a feature to be enjoyed, and celebrated.’
18. Irregular rugs
(Image credit: Note Design Studio)
Irregular rugs are striking designs that undoubtedly have all been created to own the floor. Not only do these living room rugs have an eye-catching print, but they’re also all shaping a new outline in design, quite literally, as they all sport an unconventional shape.
Whether you’re going curvy, geometric, or angular, these top sports all boast a little bit of ‘out-of-the-box’ thinking, and we’re ready to embrace it.
‘Scallop edges are not going away for a while and I’m here for it,’ says Cat. ‘We love a playful moment, so we have just proposed Henry Holland’s Diagonal melt carpet as the stripes literally ‘melt’ in the corner of the rug which is such a piece of art.’
19. Plumped-up seating
(Image credit: Folio Studio)
Designers are demonstrating how a more relaxed style of seating designs can combine comfort factor and everyday practicality, but with high-level refinement and ultimate style-desirability. Embracing curves as the newest chair and sofa trend. Take for instance the Kaila Media lounger from Lulu and Georgia with a broad, rounded design ideal for curling up and watching television.
‘Curved and plumped up sofas first become popular in the 1950s when Vladimir Kagen created his Serpentine sofa,’ says Samantha Wilson, interior designer and founder of Collection Noir. ‘Since then, and thanks to this iconic piece and subsequent iterations, designers have been given a little more creativity when designing a space.’
20. Earthy hues
(Image credit: Folio Studio)
For a calming, relaxed, and welcoming interior, earthy or nature-inspired tones are taking over. Hues such as ochre, tan, taupe, light pinks, and light greys are taking over bedroom colors and dining room schemes. These will continue to be big in 2024.
‘We love color, so we have used some gorgeous palettes recently in our schemes,’ says Cat. ‘In spaces, we’ve wrapped wardrobes, ceiling, and walls in Farrow & Ball’s Jitney which is like a buttery taupe. The color is so atmospheric and soulful, so we will be doing that again. Soft dusty pinks have been coming in more as well for a minimalist scheme.’
21. Contemporary Trompe L’oeil
(Image credit: BHDM Design)
Meaning literally ‘deceive the eye’, trompe l’oeil is an artistic device and an interesting paint technique for walls that has been in the artistic landscape for centuries; part demonstration of an artist’s skill, a part delight for the viewer. It adds a bit of unexpected humor to the home, a talking point that will make both you and guests marvel with amusement, something that folds nicely into living room trends.
‘I love trompe l’oeil that doesn’t try to look so photorealistic,’ says Dan Mazzarini, principal & creative director of BHDM Design & Archive by Dan Mazzarini. ‘Something more gestural than actual is always a fun spin. In this Kate Spade-inspired room at The Ashland apartments in Brooklyn, I hand drew architectural elements for a playful, yet still classic take. Instead of mirroring reality, embrace the freedom and infuse expressive strokes with interpretive design.’
22. Arches
Arch tiles by Livingetc x Bert and May
(Image credit: Maestri Studio)
Arches have been a strong architectural element and have been around for years. These add a whimsical touch to spaces, giving them an old-world charm while also framing important spaces. But do indoor arches add value to a home?
‘Arches have managed to stay in trend due to their timeless appeal and versatility,’ say Rashi and Ruchi. ‘These add a touch of elegance and character to a space, creating a sense of architectural interest and sophistication. Arches come in various styles and sizes, making them adaptable to different design aesthetics, whether it’s classic, contemporary, or even minimalist. These also serve as a focal point and draw the eye, adding visual interest to a room or hallway.’
23. Colored concrete
Bathroom designed by Studio Ben Allen
(Image credit: French and Tye)
Bathroom trends at the moment are very much about injecting personality while keeping to a monastic sense of spa-like serenity, which is where concrete comes in. The vivid hues it now comes in, coupled with the texture and depth it provides, make it the perfect material for this space. Colored concrete is having a moment more generally. Seen in kitchen sink trends, on the exterior of extensions, and used on floors, it is becoming the design world’s favorite material.
‘Colored concrete offers a wide range of possibilities, allowing to create unique surfaces for floors, countertops, and even walls,’ say Rashi and Ruchi. ‘Its durability and low maintenance characteristics also make it appealing for various applications. Acid-stained concrete floors have remained popular as the process allows for a high level of customization, as the colors and patterns can be tailored to suit the desired style and design preferences.’
24. Cork flooring
(Image credit: Urbane Living)
Forget those 1970s connotations of orange cork tiles, cork flooring is back, and better than ever. Because of its eco credentials and the ease of sourcing it sustainably, it’s one of the key flooring trends for 2024, available in a variety of hues. ‘Cork always adds a note of warmth to a scheme,’ says the interior designer Staffan Tollgard.
Cork has natural thermal properties which means it is great for heat insulation and can be a much cheaper alternative to underfloor heating. This means that its eco points don’t stop being collected just the way it’s made.
25. Portable table lamps
(Image credit: Ben Parry. Studio credit Budge Construction)
Let’s be honest – there never was much of an allure attached to the shelf tagged ‘USB lamp’ at the gadget store. Luckily tastes and technology have moved on from the sometimes gimmicky, most often uninspiring rechargeable lighting solutions into an exciting realm of stylish must-have new portable lamp designs by our favorite brands on the market, reinvigorating lighting trends for 2024.
‘Portable table lamps like the Bask Kin Cordless lantern from Amazon make for popular and versatile lighting choices, offering flexibility in lighting arrangements,’ say Rashi and Ruchi. ‘This adaptability allows homeowners to change the ambiance and focus of a room as desired. It plays an important role in task and accent lighting at the same time it acts as a decorative element. Overall, the combination of practicality, versatility, and design contributes to the widespread love and popularity of portable table lamps in interior spaces.’
26. Red earth ceramics
(Image credit: Reflections and Glory)
With its inherent warmth, red clay makes for a surprising twist on the more commonly seen white ceramics. Often red or ‘brown’ ceramics are associated with more coarse pottery, but there’s a finesse to this new wave of earthy vases and pieces, and an altogether contemporary stylistic edge, which makes them avant-garde. Look out for subtle curving forms, an unglazed finish, and an appealing handcrafted raw honesty, ideal to slot into your cozy living room.
‘Ceramics have a long history and have been used in interior design for centuries,’ say Rashi and Ruchi. ‘Their timeless appeal ensures they remain in style across different eras. It comes in a wide range of colors, patterns, textures, and shapes, allowing for endless creative possibilities that could also be customized as per the space and its design aesthetics.’
27. Wavy wood
Pause Coffee Table, Goldfinger
(Image credit: Jessica Gerson Interiors)
Curved, fluted or wavy, look out for the modern interpretation of the humblest of materials as a niche but appealing interior design trend for 2024. It’s a new wave. It’s time to banish straight-edged wooden furniture options in favor of the more fluid curvy form; a big living room furniture trend.
‘With growing emphasis on sustainability and eco-friendliness, there has been a rise in the use of responsibly sourced and certified wood for furniture,’ say Rashi and Ruchi. ‘Reclaimed wood and engineered wood products are also gaining popularity, reducing the environmental impact of furniture production. Wooden furniture is being integrated with smart technologies to enhance functionality. Modular wooden furniture allows users to configure pieces to suit their needs and available space. Customization designs enable customers to choose the size, finish, and other features to match their preferences. Exploring curved and organic shapes in wooden furniture, moving away from traditional straight lines and adding a touch of modernity and artistry.’
28. Glazed exterior tiles
Extension by Beasley Dickson Architects (beasleydickson.com), tiles supplied by H&E Smith
(Image credit: Beasley Dickson Architects)
Injecting a bright burst of color that contrasts with traditional brickwork, glazed external tiles provide an eye-catching cladding solution for modern home extension ideas. This stylish finish comes with many practical benefits, too; it’s durable, requires little upkeep, and offers an impressive service life of 150-plus years.
‘Glazed exteriors are unexpected and joyful, breaking the norms of house refurbishments,’ says Melissa Beasley, director at Beasley Dickson Architects. ‘They satisfy the demand for decorative facades, providing an opportunity for a unique, crafted, and personalized exterior.’
What is the decorating trend for 2024?
A big decorating trend for 2024 is natural, earthy, close-to-nature spaces.
‘The rooms I design have the sensibility of a spa,’ says the interior designer Noa Santos. ‘Natural materials like marble and stone work together to feel almost monastic, especially in soft neutral tones like creams and beiges.’
Materials to use for this look include marble, concrete, and Taj Mahal quartzite. ‘It still looks beautiful after plenty of wear, and means you don’t have to always be policing the use of coasters,’ Noa says. ‘I also like silver travertine, and we’re using a lot of limewash. It has the same softness and subtleties as Venetian plaster, but if Venetian plaster cracks you have to replace the whole thing. Limewash can easily be touched up, which is so refreshing from a design point of view. As is Tadelakt in a wet room. Imagine all that time saved from not having to scrub grouting clean! Colorwise, we work with a lot of natural shades like ivory and beige, which feel more long-lasting than jewel tones. Though I do love blue stone and a green marble called Guatemala Verde. It’s so dramatic.’
What color and materials will be big in 2024?
‘Soothing, sophisticated and stylish, deep tones will be big in interiors in 2024,’ says designer Gabriel. ‘Specifically in bedrooms, we’re often asked to customise pendant and sconce lighting fixtures to blend with, or stand out from, a dark interior.’
‘Highly coveted material such as marble, onyx and granite will continue to be as popular as ever,’ says Gabriel. ‘Combining precious stone with interesting natural materials, warming metals and an interesting colour palette will be the go-to combination for luxury interiors.’
The Indian paint sector is on the verge of witnessing intensified competition with the entry of new players into the market. Notably, Grasim, Astral, Pidilite, and JK Cement are among the companies that have entered the paint sector and strengthened their offerings in FY23, said domestic brokerage firm ICICI Securities.
The brokerage has advised investors to stay “underweight” in paint stocks. It has assigned a “Reduce” rating to major paint companies, including Asian Paints, Berger Paints, Kansai Nerolac, Indigo Paints, and Akzo Nobel, due to the intensifying competition in the sector.
Progress and plans of new entrants
Grasim: With an impressive overall capital expenditure of ₹25.9 billion by March 2023, Grasim has made significant headway in the paints segment. Construction progress remains on track across all six production units, with a target to commercially launch paints in Q4 FY24.
Grasim leverages the strength of Aditya Birla Group brand equity, extensive national distribution networks, and unique product offerings to maintain a competitive edge, said the brokerage firm.
JK Cement: It has acquired a 60% stake in Acro Paints and rebranded it as JKMaxx Paints. It has already introduced the products in North and Central India. It has a production capacity of 60,000 KL in decorative paints and 6,700 KL in construction chemicals, according to ICICI Securities.
Pidilite: The company is already present in Dr. Fixit waterproofing coatings, strainers, distempers and wood finishes. It has entered decorative paints under ‘Haisha’ brand. The company has indicated that it has introduced decorative paints to complete the product portfolio on requests from the dealers.
It plans to gauge the response over the next few months before making further investments, utilizing existing manufacturing units and distribution channels in Andhra Pradesh, Telangana, and Odisha, the brokerage stated.
Astral: It aims to relaunch its brand in FY24 following backend investments in FY23. It envisions significant revenue growth in its paint business as well as tank, faucet, and sanitary ware segments, targeting revenues of ₹15 billion within the next five years.
Astral has invested in SAP in Gem Paints and plans to rebrand its paints in FY24, leveraging its existing paint depots and three manufacturing units, said ICICI securities.
Q4 performance of existing players
Kansai Nerolac Paints achieved remarkable growth in its consolidated net profit, experiencing a five-fold increase to ₹96.24 crore during Q4. The company’s revenue from operations surged by 12.81% to ₹1,733.59 crore.
Asian Paints, another key player in the industry, demonstrated a significant rise in its consolidated net profit, reaching ₹1,258 crore in Q4, indicating a growth of 43.97% YoY. Furthermore, its revenues jumped 10.91% to ₹8,750.85 crore compared to the same period in the previous year.
Indigo Paints showcased a healthy 40% YoY rise in its consolidated net profit, amounting to ₹49 crore. The revenue from operations during the same quarter witnessed a growth of 13% YoY, reaching ₹325 crore.
Akzo Nobel reported a strong performance in Q4, with its net profit growing by 27.7% YoY to ₹95.4 crore. The company’s revenue from operations also exhibited growth, rising by 9.72% to ₹951.4 crore during the quarter.
However, Berger Paints faced a setback in Q4, experiencing a decline of 15.60% YoY in its consolidated net profit, reaching ₹186 crore. This decline was primarily attributed to a loss resulting from a fire incident at its Goa plant. However, the company’s revenue from operations showed growth, increasing by 11.7% to ₹2,443.63 crore during the quarter.
Disclaimer: The views and recommendations made above are those of individual analysts or broking companies, and not of MintGenie.
Housing sales in seven cities rose 48% to ₹3.47 lakh crore in FY23
The word of the day when it comes to interior design in 2024 is “self-expression.” That’s why homebuilding company Taylor Morrison has compiled a list of design trends and interior aesthetics based on input from their design and architectural experts. The “Express Yourself: Home” movement has gained traction with millennial and Gen Z homeowners through social media hashtags and viral videos showing off personalized spaces.
These home decorating trends reflect a growing interest in matching the physical interior of a home with the personality and aesthetic preferences of the homeowner. That’s why when building your home, companies like Taylor Morrison’s selected designs can range from whimsical to Gothic to serene, with a specific mood or vision as the endgame for your home. Some of their top designs are making their way into homes nationwide.
Taylor Morrison’s Trending Interior Designs in 2024 Dopamine Design
For DIY home decorators with a whimsical creative side, the Dopamine style encourages self-expression and individuality through unconventional furniture groupings, bold colors, and eclectic decor. The only rule with the Dopamine approach is there are no rules: whole-house coordination is optional. This makes it easy to have a coherent vibe throughout your home, from the kids’ rooms to the funky living room.
Dark Academia
Hearkening back to the days of dark and moody libraries and studies, the Dark Academia design aesthetic combines the ambiance of traditional academia with a Gothic influence. The hues and tones may be darker but still inviting for those seeking a quiet space for reading or listening to music, and they are especially great for an office or study. Dark Academia also employs rich wood paneling, intricate plasterwork, and classic artwork to complete the theme. Add some grandiose bookcases, and the space will transform into the dark library of your dreams.
Quiet Luxury
The Quiet Luxury design aesthetic closely resembles the recent quiet luxury trend in fashion. Understated elegance in the form of monochromatic and muted colors is the most noticeable feature of this theme. Rich fabrics add texture and refinement but are minimalist and neutral in tone. Accent pieces and creative lighting create a controlled amount of contrast but still contribute to a tranquil atmosphere throughout your home.
Coastal Grandma
In contrast to the Dark Academia aesthetic, the Coastal Grandma design embraces a bright and energizing beachfront style, emphasizing surf and sand hues, such as seafoam green, pale blue, and sandy beige. The furnishings and accent pieces also reflect casual coastal living, employing natural wood, rattan, driftwood, and linen. Floral and botanical prints and installations provide contrast to this design and can add some additional pops of color to each room.
Southwestern Style
The final interior design aesthetic on Taylor Morrison’s shortlist for 2024 is a Southwestern style. Designed to reflect the American West, furnishing is rustic or distressed, emphasizing natural materials. The color palette incorporates warm, earthy tones, and the theme is fully realized by adding desert-related decor and live succulents.
As younger generations near their home-buying years, we’re seeking new and creative ways to reach them and begin building brand affinity early on,” says Stephanie McCarty, Taylor Morrison’s Chief Marketing and Communications Officer. “Our home aesthetics showcase how to achieve an attainable version of these very stylized homes you’re seeing on social media using products and design services Taylor Morrison already offers.”
Don’t Forget the Paint in 2024 Taylor Morrison’s Color Collection for 2024
Sherwin-Williams has selected Upward (SW 6239) as its 2024 Color of the Year. Therefore, Taylor Morrison has created a complementary palette of other Sherman-Williams paint colors to create a trendy interior space. Upward’s greyish-blue tone meshes well with colors like Pewter Cast (SW 7673), Extra White (SW 7006), Garden Spot (SW 6432), and Gale Force (SW 7605).
“We know homeowners are intrigued by using color in unique ways in their home,” explains Lee Crowder, the Taylor Morrison National Director of Design and Model Experience. “Use Upward for your kitchen cabinets, paint a stair riser Gale Force, use Garden Spot to give new life to a beautiful piece of furniture, or think outside the box by painting your interior doors Pewter Cast. To add balance, consider adding a contrasting and non-traditional light neutral like Extra White.”
Bringing the Outdoors Indoors
One home decor trend gaining momentum in 2024 is bringing elements of the outside indoors, and not just through accent pieces or prints. The entire space should suggest a connection to natural elements such as grass, trees, sand, or water.
“Consider neutral stains that show the character of wood cabinets or flooring, tiles that emulate texture and depth of natural materials, and rich hues of green, blue, black, and brown that create a soothing and earthy atmosphere,” adds Crowder. “If you want to add a touch of biophilia without the worry of watering or pruning, opt for a green backsplash to brighten up your kitchen.”
Taking the Edge Off
While straight lines and defined borders have recently dominated the interior decorating world, an Art Deco-inspired aesthetic is also returning in 2024. Scalloped edges, curved lines, and rounded furnishings are starting to trend again, especially among younger generations.
“You can go all in with this trend by opting for fluid and upholstered impact pieces or add just a touch of 1970s flair by adding an arched mirror or switching out square hardware for ring cabinet pulls,” shares Crowder.
A New Look at Classic Subway Tile
The classic subway tile has been used in urban transportation systems since 1904, primarily because of its durability and ease of maintenance. The incorporation of subway tile into private homes continues, and home interior design experts suggest homeowners visit local home improvement stores to view the latest innovations.
“We’re seeing yet another evolution of this classic tile with the rise in popularity of one-inch-by-six-inch tiles,” shares Crowder. “This new size is mounted on a mesh backing, which ensures easier installation and allows for the glazed and imperfect nature of tile to be accentuated by the slimmer size.”
No matter what style you choose for your home, 2024 is the year to embrace your own design choices and make your space truly yours.
Over the last thirty years, Kathmandu has undergone significant urbanisation, with the city expanding rapidly. This growth has engulfed not only the traditional towns but also areas where early modern buildings were located. As urban areas became more crowded due to reconstruction and soaring land prices, many of these original projects vanished, replaced by uninspiring constructions. However, some early modern architecture projects still stand, albeit in a deteriorated condition.
The exhibition ‘Modern Encounters in Architecture: Kathmandu Valley (1945 – 1985)’, ongoing in Taragaon Next in Baudhha, Kathmandu, aims to bring the attention of the public towards Nepal’s important architectural period. The exhibition organised by Kathmandu Institute has a series of artistic buildings (some of them still standing today) designed by many architects in that particular period.
Kathmandu Institute is a non-government organisation based in Kathmandu for research, learning and debate on contemporary built forms leading to the design and planning of future built landscapes in the region.
One of the founding members of the Institute, Jharna Joshi says, “We have been working on this documentation project since 2020, researching and collecting information included in the exhibition and the book.”
A book of the same title was also launched recently.
In the past few years, modernisation has choked the artistic side of architecture in Kathmandu. As a result, the metropolitan area now lacks public spaces, carefully planned buildings, a purposeful aesthetic, sufficient infrastructure and eco-friendly conditions.
Market demands and lacking planning oversight fueled this surge in construction. Consequently, the Valley witnessed a proliferation of mundane and uninspired buildings, completely ignoring the traditional and early modern architectural styles. As a result, the unique urban landscape of the Valley has been transformed into an indistinguishable sprawl, blending in with generic global developments.
In one of the instalments in the exhibition, we see the works of civil engineer Shankar Nath Rimal. In the 1960’s he was given the responsibility to supervise the construction of the new Narayanhiti Palace complex designed by Benjamin Polk. According to a statement provided by the gallery, King Mahendra himself invited the American architect Polk to work on the designs for the Narayanhiti Palace.
The under-construction Narayanhiti Palace in the 1960’s. Civil engineer Shankar Nath Rimal was given the responsibility to supervise the construction of the palace designed by Benjamin Polk. Post File Photo
While working on the design, Polk kept in mind that the Palace should be the first focus for the pride and culture of modern Nepal. As a part of the USAID’s support for Nepal’s Higher Education Program, Polk was tasked with designing five projects in the Kathmandu Valley: the Sanothimi Campus, Janak Shiksha Kendra, Adarsha High School in Sanothimi, Laboratory School in Kirtipur and the Central Department of Education in TU, Kirtipur.
These designs not only provided innovative architectural solutions but also harmonised with the landscape while showcasing new architectural possibilities. Additionally, they introduced daring and inventive structural concepts and construction methods for different buildings, considering the skills, materials and costs available at the time.
Joshi says, “These buildings reflect the movement towards modernisation that brought new functions, styles, materials and innovative construction technologies to the architectural landscape of Nepal.”
As for Rimal, in addition to numerous remarkable residential projects, he also designed the Nepal Academy building in Kathmandu. This structure showcased the organisation of technically intricate architectural programmes and introduced advanced structural solutions for the first time in Nepal. Furthermore, he was responsible for designing the new Foreign Ministry Building in the Singha Durbar campus, which features a slim office tower atop a spacious square base. The range of his projects spans small residences, mansions, hotels, banks and factories as well as plans for a new town in Tikapur.
Nepal Academy Hall. Photo: Courtesy of Shankhar Nath Rimal Archive
Over his six-decade career, Rimal has crafted numerous remarkable buildings and structures that have proven resilient against the test of time and earthquakes. Unfortunately, many of his original drawings have been lost.
Especially during the time of 1945-1985, the Kathmandu Valley witnessed the rise of numerous significant modern building projects crafted by both Nepali and foreign architects, with the Narayanhiti Palace being one of them. These early modern structures possessed a unique identity, distinct from the traditional architecture of the Valley. However, they were conceived to preserve and advance the traditional aspirations, enriching the architectural splendour of the region without undermining its symbolic or cultural significance.
Another important figure in Nepali architecture during the transitional period from the last years of the Rana Period, (pre-1950) to the early years of the modernisation of Nepal (post-1950) is Beda Prasad Lohani. He constructed Nepal’s very first modern Reinforced Cement Concrete (RCC) building at Tri-Chandra College. Saraswati Sadan, also designed by Lohani, serves as both a library and academic building, incorporating various innovative building technologies including RCC slabs, large cantilevers and reinforced masonry walls for spacious construction.
Stylistically, it adopted motifs and elements from Art Deco architecture, a popular style in South Asia during that era. Additionally, he designed Ranjana Cinema Hall, a sizable residence in Yetkha Tole in Kathmandu and numerous modern residences across the city. This architectural style was also embraced by other prominent designers and builders of the time, like Kul Ratna Tuladhar, who designed the Ashok Cinema and Lekhnath Khanal, responsible for many residential designs.
Sketch design of the Nepal Academy Hall by Rimal. Photo: Courtesy of Shankhar Nath Rimal Archive
The early modern buildings (like these) in Kathmandu were designed to fit the needs of their purpose, using new construction methods and designs inspired by modern architecture. They aimed to keep up with the changing world by using new technologies and organising space in a logical way. These designs often used materials and skills that were easily available locally, but they were used in creative ways to come up with fresh and inventive results.
Gathering materials on early modern buildings has been challenging for the organisers due to inadequate archiving and care, resulting in diverse formats scattered across various sources. These include private storage, national and international agencies, institutional archives and online platforms, ranging from sketches on parchment paper to blueprints, slides and photographs.
By retrieving materials from diverse sources and formats, the project aims to prevent the fading of early modern buildings into obscurity. It emphasises the value of these structures, not only in the Kathmandu Valley but also in other parts of Nepal. “The objective of this documentation is to understand and initiate a dialogue on the value of these projects in the architectural history of Nepal. It also intends to bring this knowledge to the general public, hopefully leading to their legal protection,” says Joshi.
Rastriya Sabha Griha being built in 1967. Photo: Courtesy of Douglas and Nancy Hatch
Photos: Rich Stapleton, OKU Hotels, Yevhenii Avramenko, James McDonald, Kyungsub Shin, HGEsch and Katya De Grunwald
The world’s most innovative hospitality projects are invited to take centre stage at the LIV Hospitality Design Awards, a leading design competition dedicated to the living and eating spaces that define the guest experience. LIV has now announced the opening of submissions for its 5th edition.
Launched in 2020, the LIV Hospitality Design Awards have become a renowned platform celebrating exceptional design in the living and eating space sectors of hospitality. Last year’s program received a staggering number of entries – with submissions from 43 countries – showcasing the most innovative and captivating projects shaping the future of hotels, restaurants, and more. In addition to recognizing overall design excellence, the Awards place a strong emphasis on innovative and sustainable practices that are shaping the future of eco-conscious hospitality.
“We are incredibly excited to launch the 2024 LIV Hospitality Design Awards,” says Astrid Hebert, Program Director. “The program has grown tremendously in just four years, becoming a leading design competition in the hospitality industry. This year promises to be even bigger and better, with an esteemed jury panel and a chance for designers to truly have their work recognized on a global scale.”
Entering a project in the LIV Hospitality Design Awards is an opportunity to gain international exposure, be recognized by industry leaders, and network with key decision-makers within the hospitality industry. It also offers participants an opportunity to showcase their work to a distinguished jury panel and a worldwide audience, win prestigious awards, establish themselves as top talents in the field, and connect with potential clients and collaborators.
The LIV Hospitality Design Awards is proud to announce an exceptional jury panel for the 2024 edition, featuring some of the biggest names in hospitality design, including Jameel Abu Shuqair (Four Seasons Hotels and Resorts), Ivan Pavlovic (NEOM), Jaime Nadal (Kerzner International), Federico Toresi (Accor), Larry Traxler (Hilton), and Tina Norden (Conran and Partners ). A full list of jury members is available on the website.
Don’t miss out! Submit your project by June 30, 2024 to receive a 10% Early Bird discount. The program closes for submissions on January 19, 2025. For more information, and to submit, visit the LIV Hospitality Design Awards website: livawards.com.
About LIV Hospitality Design Awards LIV Hospitality Design Awards (livawards.com) is a global design competition dedicated to recognizing and celebrating exceptional design within the living and eating spaces of the hospitality industry. Established in 2020, the program has become a leading platform for showcasing innovation and excellence in hospitality design.
LIV Awards is a sibling program of the LIT Lighting Design Award (LIT), SIT Furniture Design Award (SIT), and BLT Built Design Awards (BLT), all focusing on Architecture, Interior Design, and Lighting, which have emerged as some of the most well-known Design Awards today.
LIV Hospitality Design Awards is a program under the 3C Awards, a leading organization curating and promoting design across the globe. The company represents today’s diversity and innovation in Lighting Design, Furniture Design, Sport Design, Interior Design, and Architecture. Each brand is a symbol of design excellence around the world, showcasing professional and emerging designers’ work to over 100 expert jury members. 3C Awards is owned by Three C Group GmbH, a Swiss-registered company.
LIV Hospitality Design Awards: https://livawards.com/
Photographer: Rich Stapleton, OKU Hotels, Yevhenii Avramenko, James McDonald, Kyungsub Shin, HGEsch and Katya De Grunwald
LIV Hospitality Design Awards, Baar, Switzerland images/information received 130424 from v2com newswire
Location: Baar Switzerland
Lucerne Buildings
Lucerne Architecture
Urban Hybrid Emmen, near to Lucerne – architecture competition Design: MVRDV image from architects Urban Hybrid Emmen
New Lucerne Theater Design: Arup image from architect New Lucerne Theatre Building
Shopping Center Schönbühl redesign Design: Holzer Kobler Architekturen Shopping Center Schönbühl
Swiss Museum of Transport Design: Gigon/Guyer Architekten Swiss Museum of Transport Building
Architecture in Switzerland
Swiss Sports Centre building : Bucholz
Zurich Architecture
Basel Buildings
Swiss Architect
Swiss Buildings – Selection
westside Shopping and Leisure Center, Bern-Brünnen Studio Daniel Libeskind Westside Shopping Center
The additive manufacturing market continues to evolve and expand. Over the past several months, there have been several major mergers and acquisitions in this space, along with the emergence of new players, new software tools and new standards that will help ensure print quality and consistency.
Additive is a key piece of the White House AM Forward initiative for encouraging domestic manufacturing, as well as the recently passed CHIPs Act, which focuses on shifting microchip production to the U.S.
In this Special Focus Issue, we look at some of the challenges companies face when designing for additive, as well as the technologies that are helping more manufacturers adopt 3D printing. We hope you enjoy the issue.
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